AMS-NEVE 'AES960' a 56 channel,
digital audio MADI to AES interface for TV and Broadcast
TECH
EXPERTISE

The ultimate in professional quality
digital audio interfaces with sample rate conversion on all 56
inputs and 56 output channels, optical fiber or coax MADI, dual
redundant power supplies, all parameters remote controllable for the
host mixing desk.
www.ams-neve.com
STEINBERG 'HOUSTON' CONTROL
SURFACE TECH
EXPERTISE

A professional mixing
control surface for Cubase
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8
channels + Master with 100mm faders
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All
faders motorized and touch sensitive
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8
Rotary Encoders with LED tally rings
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2
x 40 LCD
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Illuminated
buttons for usual mixer functions
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USB
and MIDI interfaces
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Complete
internal self test
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Internal
universal voltage range SMPSU
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Compliant
to CE standard

For further info:
www.steinberguk.com |
Digital Audio designs for SOUNDCRAFT
ELECTRONICS LTD www.soundcraft.com
DRAWMER DC2496 High Resolution
A/D converter TECH
EXPERTISE

The Drawmer DC2496 is an extremely sophisticated,
high resolution analogue to digital converter designed for use in demanding
recording and broadcast applications. Both analogue (balanced XLR) and
digital (AES/EBU, S/PDIF, ADAT 8 Channel light pipe and TDIF 8 Channel)
I/O is provided as standard. The audio converters are 24bit and the
digital output can be either 16, 18, 20, 22 or 24bit at sample rates
of up to 96kHz. Noise shaped dithering is included and Word Clock input
and output is available. Further info:
www.drawmer.co.uk
DIGITAL SECTIONS OF DRAWMER
DC2476 Masterflow Digital Processor
.
Drawmer DC2476 is an all-digital stereo mastering processor designed
for use in demanding recording and broadcast applications. Both analogue
(balanced XLR) and digital (AES/EBU and S/PDIF) I/O are provided as
standard. The audio converters are 24-bit and the digital output can
be either 16, 18, 20 or 24-bit at sample rates of up to 96kHz. Noise
shaped dithering is included and Word Clock input and output is available.
DIGITAL SECTIONS OF DRAWMER 1962
Digital Vacuum Tube Pre Amp

The wide dynamic range of high-resolution digital recording has remained
largely unexploited simply because pre-amplifier technology cannot deliver
an equivalent dynamic range. More significantly, limited headroom pre-amplifiers
may also degrade or "squash" the dynamic range of the sound
source, en-route to the recording medium.
From the silence of the noise floor to the onset of clipping, the Drawmer
1962 provides an input dynamic range of more than 133dB, eclipsing the
performance of other front-end devices and coming close to theoretical
perfection.
Analog sections of Drawmer products
DF320 Universal noise filter, DL241 auto compressor, DS404 quad noise gate
48 input, 32 bus DIGITAL MIXING
CONSOLE (1995 to 1998)
With 100mm motorised touch sensitive faders
DRAWMER M500 Dynamics Processor
- Discontinued in 1996 but
still much sought after..

The Drawmer M500 provides everything you could ask from the most powerful
digitally controlled dynamics in the world and more. Its ability to
combine up to seven 'effects' simultaneously is unsurpassed.
A different combination of effects and parameters can be assigned for each of its two channels. Utilising two high specification
VCA's to provide a minimum signal path, the Drawmer M500 eliminates the disadvantages of limited bandwidth, noise build up, and
time delay associated with multiple signal processing.
DESIGNED MOVEMENT DIGITAL DRUM COMPOSER
(1978)
Shown at the London AES show, one of the 1st in the world
'MIMIC' DIGITAL SAMPLER KEYBOARD
(1982)
MIDI SEQUENCER for the MOVEMENT DIGITAL DRUM
EQUIPMENT DESIGNED FOR EURYTHMICS,
PHIL COLLINS, THOMPSON TWINS,
GRACE JONES, DEPACHE MODE, HOT CHOCOLATE, KIM WILDE.
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